“There’s No Calm After the Storm” by Matteo de Mayda at the 17th edition of the Rencontres de la photographie en Gaspésie
ERRANCES is the theme of th 17th edition of the Rencontres. From July 15 to September 30, the public is invited to discover Matteo de Mayda’s exhibition. Opposite the Auberge l’Amarré | 30, 1re Avenue Est | Mont-Louis An extreme weather event hit northeastern Italy in October 2018. The sirocco wind reached 200 kilometers per […]
Read moreScreening of the film “Come ti muovi, sbagli” by Gianni Di Gregorio
Within the cycle of movies “Fare Cinema” 2026, the Italian Cultural Institute is eager to announce the screening of the film “Come ti muovi, sbagli” by Gianni Di Gregorio Italy / 2025 / 97 min. / Italian, english subtitles Monday, Septembre 21st, 6pm Istituto Italiano di Cultura (1200, Dr. Penfield ave., Montréal) There is one […]
Read more”PINK. Women in Italian Graphic Design. From Its Origins to the Present” – Exhibition
A tribute to women’s contribution to graphic design and Italian visual culture The history of the arts and professions has been predominantly written from a male perspective. PINK is a project that reconstructs and displays the figures and contributions of women graphic designers who have been active in Italy between the 1940s until the present […]
Read more“Bassano x Montreal” Artistic exchanges
Immerse yourself in the world of Frédérique Rodier (Quebec) and Giorgia Lolli (Italy), artists in residence as part of the Bassano | Montreal exchange. Their artistic encounter gives rise to a sensitive research where dance dialogues with the landscape, visual arts, music, video, and circus. Together, they explore the permeability of the body and its […]
Read moreCiné-Histoire – Film Screening “The Tree of Wooden Clogs” by Ermanno Olmi
Between the autumn of 1897 and the summer of 1898, four families live together on a farm in the Bergamo plain, sharing joys, hardships, and everyday life. A deep bond of solidarity develops among them, rooted in work, traditions, and faith. When Batistì uses the landowner’s tree without permission to make a wooden clog for […]
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